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Short Sharp Shakespeare & The Art of Witch-pricking

My themes now address credibility, dislocation and a fear of the unknown even more closely:  Anything might be lurking ‘out there’ in an unfamiliar, strange or foreign place - and who would be confident in unraveling true travelers’ tales from fevered dreams and imaginings?

The weird and wonderful may also lurk at home: Country villages may conceal all manner of horrors; the dark corners of the expanding Capital offer opportunities for surprises, skulduggery and the gulling of innocents - or unexpected and perplexing inhabitants.

Below a pair of presentations are offered to span the Stuart century:

 

Short Sharp Shakespeare

 

The Art of Witch-pricking (& other Tested Methods)

Religious and civil upheaval brought all sorts of opportunities for self advancement and moral certainty: In 1645 one Matthew Hopkins, probable son of a clergyman, possible former law clerk - and entirely self appointed - went to work across East Anglia as witchfinder.

 

The methods that Hopkins, Stearne, Phillips and co used were established and developed to become best practice and have alarming resonance even now. The nature of the accusations resurfaced little changed almost twenty years later for the trial of two old women at Lowestoft.  Presided over by the revered Sir Matthew Hale, future Lord Chief Justice of England, the post conviction pamphlet 'The Tryal of Witches' remained in print for several decades more - and helpfully offered specific legal precedent for Salem in the New World...

 

In the case of the brutal battering of one poor woman, suspected witchcraft was attempted as a defence as late as 1916.  In 1945 a Midlands farmer was found murdered with his body 'pinned' against resurrection;  though known locally, the killers were never charged...

 

stuart eating